Canon 5D Mark II: After the Honeymoon
- September, 20, 2009
- 4 Comments
- photography
I’ve already clicked away nearly 5,000 photos (4,525 as of this post) with my Canon 5D Mark II (5D MKII) since June. Is the honeymoon between the 5D MKII and this amateur photographer (okay, serious hobbyist) over? Read on.
My perspective:
My love for photography really didn’t start until November of 2007 when I bought a my first DSLR: the Canon 40D (blame Stephen and Jeremy for getting me hooked). The 40D was a lot of camera for a beginner, but I quickly grew into it.
I loved the 40D, so much so that I even swayed Alex, a long time Nikon user, to make the switch to Canon. I loved the 40D’s build quality, high-speed burst (6.5FPS), and overall responsiveness (especially with fast glass).
My go-to lens was the Canon EF-S 17-55mm f/2.8 IS. I can’t say enough good things about this lens. It combined a fast f/2.8 aperture with built-in image stabilization (IS), making it damn near perfect in most occasions. I really, really miss this lens.
The did 40D had a few shortcomings, namely sensor resolution (10MP), ho-hum LCD screen, and OK, but not great ISO performance. However, my upgrade to the 5DMKII was less about the 40D’s short-comings, and more about the allure of a full-frame sensor, HD 1080P video, and a (more) pro body.
What I still love:
Full-frame, 21MP sensor
Going from a crop sensor to full-frame is a bit of a double-edged sword. The 1.6x crop factor is great when shooting with a long telephoto. You get extra reach, for “free.”
On the other hand, that crop factor makes your “standard” focal-length 50mm lens more like 80mm, which was a bummer in close quarters.
So, I gave up some reach. But the full-frame 5DMKII gave me something better (in my opinion): shallower depth-of-field. Since the 5DMKII’s sensor is nearly twice the size of the 40D, f/4 really looks like f/2.8 used to, and so on.
21MP also gives me a lot of room for cropping. I could literally throw half an image away and still be at the 40D’s resolution.
ISO/noise performance
Due to it’s physically larger sensor size (and technology improvements, of course) the ISO performance is easily a stop (sometimes two) better than the 40D. ISO800 on the 5DMKII looked a lot like ISO400 on my 40D, and I’m not at all afraid to push to ISO1600 when needed.
When paired with a fast prime like the 50mm 1.4 and you can just about see in the dark. Literally.
LCD screen
The 5DMKII’s LCD is big and bright, and actually has enough resolution to be useful for checking focus, especially when shooting in situations when the depth-of-field is very shallow.
Not so much anymore
Dated auto-focus mechanism
The 5DMKII’s auto-focus mechanism is pretty much a hold over from the original 5D (introduced in 2005). The biggest hinderance is that the 9 auto-focus points are very tightly-grouped to the center of the 5D’s enormous full-frame. There just isn’t enough frame coverage. (BTW, I know that Alex is saying “I told you so” right now).
| 5D Mark II view finder | 40D view finder |
|---|---|
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The lack of frame coverage isn’t a problem for me in terms of framing (or getting) a shot. I’ve adjusted to that. The bigger issue for me is metering. The 40D and 5DMKII have pretty much the same physical arrangement of auto-focus points, giving the 40D the edge on frame coverage when it comes to metering.
Because of the dispersal of auto-focus points, using “evaluative” metering on the 40D takes into account a majority of the frame, while the 5DMII only covers a small amount. This causes the 5DMKII to meter very differently from the 40D. Out of the box I was getting shots that were consistently 1/3 – 2/3 stops underexposed, especially when shooting with my 580EX II.
My complaints about the AF also extend to the HD video operations of the camera. There is no continuous AF, a feature that every other video camera sold in the last 15 years (or more) has. It does have slick features like face detection, but you still have to press the AF-ON button to grab focus, which will you’ll hear in your video.
Sluggish operation and response
The 40D is like a Ferrari when compared to the 5DMKII. There was almost no shutter-release lag in the 40D, and the frame blackout was very short. The 40D was also seriously fast in high-speed mode.
The 5DMKII’s shutter release feels very “squishy” to me (as did the original 5D). I suspect that it’s due to the large shutter/mirror assembly of the the 5DMKII, more than electronics and processing power.
Verdict?
Do I regret buying the 5DMKII? No freaking way.
It’s awesome, amazing, and astonishing. My complaints about the AF layout and sluggishness aren’t deal breakers, and aren’t issues in may day to day use of the camera. The quality of the images it produces continually put a smile on my face. You’ll have to drop $6,500 on a 1D Mark III to get (marginally) better image quality.
I do wonder why Canon made the decision not to overhaul the AF system on the 5DMKII, especially when considering it’s closest competitor, the Nikon D700 is superior in just about every way (there, I said it). I spent a few minutes with Will’s D700 a few months back and was blown away by it’s build quality, view finder, AF performance, and built-in wireless flash system (of which, Nikon’s have had for years). I know Canon is paying attention, just look at the new 7D.

























tia said:
trav i think your pictures are wonderful…keep up the good work!!
Travis Isaacs said:
Thanks for stopping by Ms. Tia!
tia said:
anytime sir!
Kiana said:
Greetings,
I am ever so delighted that I discovered your review of the Canon 40D and 5D Mark II bodies! In my humble opinion, the 40D is unarguably a superb work of engineering [and to think that it is not even a German product ;-).] I have yet to be disappointed at its overall performance. My personal general data output of the 40D is nothing short of marvelous. As with you, the ONLY reasons why I elected to add the 5d Mark II to my army of photographic machines, was the luxury of a full-frame sensor AND the fact that I work in extremely small quarters, and cannot backup sufficiently in order to compose what I need (especially with those prime lenses.) I have only really begun to explore the possibilities of the 5D Mark II. My initial visceral reaction, however, is that when performing a quasi- application-to application comparison test, the 40D requires PROFOUNDLY less “operator effort” for superb images. This shocks me to no end. In fact, as recently as yesterday, I had the pleasure to speak about this very same personal discovery with a gentleman at Canon USA technical support. He was seemingly dumbfounded at my report in this context. Appeartly he had never heard such good reviews about the 40D ESPECIALLY since the topic at hand is a comparison test between 40D and the 5D Mark II. Thanks to your blog publication Travis, I can see that I am not fabricating things…and that my 40D data are in fact, no outliers…
Cheers ;-)
Kiana